1958年, 22歲還不出名的José Mojica Marins拍攝了他自編自導自演的首部長片<冒險家的命運>, 這是一部深受當時美國好萊污式西部片影響的作品, 然而片中所採用的配樂和風景依舊是純巴西民間鄉土風格. 此片在當時並不成功, 但現在卻已成為難得一見的作品, José Mojica Marins此後以"Zé do …1958年, 22歲還不出名的José Mojica Marins拍攝了他自編自導自演的首部長片<冒險家的命運>, 這是一部深受當時美國好萊污式西部片影響的作品, 然而片中所採用的配樂和風景依舊是純巴西民間鄉土風格. 此片在當時並不成功, 但現在卻已成為難得一見的作品, José Mojica Marins此後以"Zé do Caixão"系列而聞名, 成為巴西CULT片大師級人物. http://www2.uol.com.br/zedocaixao/index.htm After running away from a shoot out, the outlaw Jaime falls to the edge of a river, where he is helped by two beautiful young women. He becomes involved romantically with Dorinha, daughter of a farmer and, because of his love for her, kills her father. When escaping the arrest, Jaime has to face Xavier, a bloodthirsty outlaw who plans to avenge the father of Dorinha. Marins appears as Gregorio, a gunman of the flock of Xavier. Marins also wrote the lyrics of the ten songs of the soundtrack. In 1964, the film was relaunched with an extra dose of sex, having included a new scenes with about ten minutes in the brothel. It's almost impossible to know where to begin when describing the films of José Mojica Marins, Brazil's most famous antiestablishment filmmaker. Beginning in '59, Marins embarked on his first bit of commercial filmmaking, a western titled A Sina do Aventureiro (The Adventurer's Fate). What follows is a pretty astonishing oeuvre, films that feature scenes of necrophilia, mass murder, copious corpses rising from the grave, bestiality, genital mutilation, rape--you name the depravity, these films have it.詳情
